the ones who got away ate their way out
polypropylene plastic from vegetable crates for transporting strawberry, parsley, grapes, avocado and champignon mushrooms
from the group show Songs for Sigge at Celsius Projects, Malmö, Sweden 2020
the ones who got away ate their way out
broken safety glass from the artist’s studio parking lot, concrete, polypropylene plastic from vegetable crates for transporting strawberry, parsley, grapes, avocado and champignon mushrooms
from the group show Songs for Sigge at Celsius Projects, Malmö, Sweden 2020
the ones who got away ate their way out
polypropylene plastic from vegetable crates for transporting strawberry, parsley, grapes, avocado and champignon mushrooms
from the group show Polyfoni 5 at Galleri Thomas Wallner,
Simris, Sweden 2020
the ones who got away ate their way out (oligodynamic)
copper pipe and polypropylene plastic from vegetable crates for transporting strawberry, parsley, grapes, avocado and champignon mushrooms
from the group show Polyfoni 5 at Galleri Thomas Wallner,
Simris, Sweden 2020
the ones who got away ate their way out
polypropylene plastic from vegetable crates for transporting strawberry, parsley, grapes, avocado and champignon mushrooms
from the group show ATOMIC, organized by Schimmel Projects, in Brixen Bressanone, Südtirol, Italy 2020
platter guide – the ones who got away ate their way out
from the group exhibition Close Call at Kunstscenen, Copenhagen, Denmark 2019
the ones who got away ate their way out (24 gender mom)
from the group show Spooky action at a distance
at Galleri NOS, Stockholm, Sweden 2019
plastic from vegetable crates, found Bendt Winge ‘R-48’ chair
2020
the ones who got away ate their way out
from the group show Spooky action at a distance
at Galleri NOS, Stockholm, Sweden 2019
HDPE & polypropylene plastic, plant, water, sawdust, 2017
from the group show ‘Northern Lights’ curated by Something Must Break at Alta Art Space, Malmö Sweden, 2019
brass polished concrete and polyester, 2017
from the group show ‘Northern Lights’ curated by Something Must Break at Alta Art Space, Malmö Sweden, 2019
the ones who got away ate their way out
from the group show 100
at Galleri CC, Malmö, Sweden 2019
platter guide escaping the grid
at Sinkhole Project, Baltimore, Maryland, USA
2019
the ones who got away ate their way out
from the group show Spooky action at a distance
at Galleri NOS, Stockholm, Sweden 2019
Light projection with images by me and other artists in SJÒGVUR – Havets veje, organized by TURA YA MOYA travelling-container-art project at SALT, Suðuroy, Faroe Islands 2019
consumer‘s pride and Aspergillus tubingensis
polypropylene plastic from grape and champignon mushroom baskets, canisters for soy-bean oil, microwave-oven motor, sand
from the group exhibition FIVE FORMS of PLAY: MIMICRY
at Celsius Projects, Malmö, Sweden
2019
polypropylene plastic from grape, avocado and champignon mushroom baskets
from the group exhibition mold dust life energy with Lisa Trogen Devgun & Paula Buškevica at IKOLONI, Malmö, Sweden 2019
consumer’s pride
canisters for soy-bean oil
from the group exhibition mold dust life energy with Lisa Trogen Devgun & Paula Buškevica at IKOLONI, Malmö, Sweden 2019
non-human itch I
valid & invalid coins of various currencies,
polypropylene plastic from strawberry and champignon mushroom baskets
from group exhibition evolution and comfort at Ta·da Space, Copenhagen, Denmark, 2018
platter guide pattern recognizer
polypropylene plastic from vegetable crates for strawberry, parsley, grapes, avocado and champignon mushrooms, 2019
platter guides
polypropylene plastic from vegetable crates for strawberry, parsley, grapes, avocado and champignon mushrooms, 2018 – ongoing series
Residuals / Age of Shiny
polypropylene plastic from colza oil canisters and champignon mushroom basket
from the group exhibition BOXPLAY at 8. Salon, Hamburg, Germany, 2018
corrupted full of life
exhibition view at Schimmel Projects – Art Centre Dresden, Dresden, Germany, 2018
corrupted full of life
lightbox, rosehips.
from the exhibition corrupted full of life at Schimmel Projects – Art Centre Dresden, Dresden, Germany, 2018
exhibition view, Cementa & Toyota at ACUD gallery, Berlin, 2017
Exhibition Cementa & Toyota at ACUD gallery, Berlin, 2017.
Discussing the rotating sculptures Millstones: Wanna Know the Fibonacci Secret? with Johannes Braun of ACUD gallery.
Residuals / Age of Shiny
HDPE & polypropylene plastic, rose (Rosa dumalis), algae (Ulva lactuta), water, sawdust.
from the exhibition Cementa & Toyota at ACUD gallery, Berlin, 2017
Cementa & Toyota – A Fable of Two Sisters
HD video with sound, 08:51 minutes, 2016
Cementa & Toyota – A Fable of Two Sisters
video installation with the sculpture Drifter, (concrete and car bumpers)
from the duo-exhibition Paragoge at Skånes konstförening, Malmö, Sweden, 2017
Residuals / Age of Shiny
exhibition view from the duo-exhibition Paragoge, with Petter Dahlström Persson at
Skånes konstförening, Malmö, Sweden, 2017
Biofoul
HDPE & PP plastics and apples from the industrial harbor Mellersta hamnen in Malmö, Sweden.
Apples served for exhibition visitors at Skånes konstförening, Malmö, Sweden, 2017
Millstones: Wanna Know the Fibonacci Secret?
polypropylene plastic, concrete, marble, microwave motor and a bicycle crank axle.
The title “Wanna Know the Fibonacci Secret?” is quoted from a spam email subject line.
2017
Millstones: Wanna Know the Fibonacci Secret?
HDPE plastic, concrete, stone, microwave motor and a bicycle crank axle.
The title “Wanna Know the Fibonacci Secret?” is quoted from a spam email subject line.
2017
Van Gogh´s Fan Club at Å´Kaj Gallery, Limhamn, Malmö, Sweden. 2017
Artists: Matti Sumari, Aslak Sumari, Julia Selin and Petter Dahlström Persson
Residuals / Age of Shiny
brass polished concrete and polyester, 2017
Residuals / Age of Shiny
concrete and two marble stones from the fountain of Piazza Cavour, Como, Italy.
Sculpture in the group exhibition Aperto at Fondazione Antonio Ratti, Como, Italy.
2016
Residuals / Age of Shiny
concrete, marble stones from the fountains of Piazza Cavour, Como, Italy.
permanent installation in the sculpture park of Fondazione Antonio Ratti, Como, Italy, 2016
Tick Tick Tick Spräng
Video screening during the group exhibition LOOP – A video art marathon at Galleri CC, Malmö, Sweden, 2016
photo: Raffaele Piano
The Seasonal Painter and Lawyer’s Wigs In The Mist
found white paint and Coprinus comatus mushroom on canvas.
One painting made every autumn. 2012 – ongoing
Tick Tick Tick Spräng
Video installation and tea party during the Berlin Food Art Week at ACUD Gallery, Berlin, Germany, 2015
Tick Tick Tick Spräng
Video installation at The Spring Exhibition, Kunsthal Charlottenborg, Copenhagen, Denmark, 2015
Heart of Gold
Video installation at Trumpeten c/o Mellanrum, Södra Förstadsgatan, Malmö, Sweden, 2015
The Illness
tea pavilion installation & tea-parties at Survival Kit -festival, Vänortsparken, Umeå, Sweden, 2014
260 x 400 x 220 cm
Tick Tick Tick Spräng
HD video with sound, 09:08 minutes, 2014 and video installations with Chaga tea, 2014 – 2015
The Seasonal Painter and Lawyer’s Wigs In The Mist
Series of paintings made with the shaggy ink cap mushroom (coprinus comatus) on found canvas.
Painted annually , one painting every autumn.
Exhibited in the group show Radical Mycology, September 13, 2014,
at the autonomous cultural center Umeå Kulturhus, Umeå, Sweden
The Trashist Flag
No nations, no borders – we are all one: the one species making garbage
found fabric & rope, approx. 170 x 280 cm, 2010
Here seen on the roof of the autonomous cultural center Umeå Kulturhus, Umeå, Sweden, during its opening festival. 2014
A Disposed Project of Participatory Art & Worlds Strongest Structure (Space Frame Divan in A Faraday Tent)
bicycles, wood and heat foil, all found materials, 250 x 250 x 250 cm
2014
exhibited in the group show Cultural Capital at ZK/U – Center for Art and Urbanistics, Berlin, Germany, 2014
Secret Agent
event:
Secret Agent: What Does a Container Mean and What Can it Do for You? Walk & Talk
part of the group exhibition Cultural Capital at Bildmuseet, Umeå, Sweden, 2014
Secret Agent
sculpture:
wood, metal and acrylic, all salvaged materials
180 x 360 x 184 cm, 2014
part of the group exhibition Cultural Capital at Bildmuseet, Umeå, Sweden
(The Logic of) Instruments For Cycles Through A Hunter-Gatherer-Gardener
solo exhibition, exhibition view
Galleriet, Konstnärligt Campus, Umeå, Sweden, 2013
Animate Technique
wood, spray paint, electric wires, 5 x 50 x 10 cm
from the solo exhibition (The Logic of) Instruments For Cycles Through A Hunter-Gatherer-Gardener
Galleriet, Konstnärligt Campus, Umeå, Sweden, 2013