terms of use (still reading)
2025, anodized aluminium, steel from legal & illegal catering operations, 115 x 150 x 12 cm
from solo exhibition Terms of use (still reading) at Coulisse Gallery, Stockholm
I am Threshold
2024, bicycle racks, stainless steel from an illegal catering operation, 180 x 195 x 120 cm
from CHART in Tivoli with Galleri Cora Hillebrand at Tivoli Gardens, Copenhagen, Denmark
Perennial II
nordic gold, copper, aluminium, cast using metals gathered from dumpsites
Liste Art Fair Basel with Coulisse Gallery, Basel, Switzerland
[đđźđźđźđź-đąđŻ-đąđŻ-đąđŻđ¶đąđ đđąđŁđ°đ¶-đłđłđłđłđłđłđłđłđłđł]
solo exhibition at Gislaveds Konsthall, Sweden
27. April – 28. July 2024
Ad Hoc Dog
Galleri Cora Hillebrand, Gothenburg, Sweden 2023
The Shadow
Market Art Fair with Julia Selin, Galleri Flach, Liljevalchs konsthall, Stockholm 2023
The artistâs dream of the insectâs innermost desire
with Julia Selin at Krognoshuset, Lund, Sweden 2023
Follow a bug to the end of the World
with Julia Selin at Konsthallen TrollhÀttan, Sweden 2022
Malus Domus
Galleri Thomas Wallner, Simris, Sweden 2022
Two Birds in Debt and Sad slag pickle handle
scavenged aluminum from non-refundable beverage cans and other found sources,
from the group show Peter Piper Pigged A Pickled Pepper curated by Jeanette Gunnarsson at Fitzrovia gallery, London, United Kingdom 2022
Nedbrytaren (The Decomposer)
bronze
Permanent public work
Ekebergabacken 61, Farsta, Stockholm, Sweden
2021
Bog Admins & worm computer
exhibition view from MedhjÀlpare & BordsgÀster at Domkyrkoforum, Lund, Sweden 2021
sad sour slag handles
scavenged aluminum from non refundable beverage cans and other found sources
from the group exhibition What we are working with curated by Hour Projects at KĂŒnstlerhaus Bregenz, Bregenz, Austria 2021
the ones who got away ate their way out
modified original handrail from the Gislaved rubber plant, broken safety glass from the artistâs studio parking lot, concrete, polypropylene plastic from vegetable crates for transporting strawberry, parsley, grapes, avocado and champignon mushrooms
exhibition view from All Flesh Is Hay by Gislaveds konsthall, at Gislaveds Rubber Plant, Gislaved, Sweden 2021
worm computer
HD video, filmed 2017 â 2021
Sound design by Olli Aarni.
2021
from the exhibition Icke-mÀnsklig klÄda at Sjöbo konsthall, Sjöbo, Sweden
2021
sad sour cucumber platter handle
ongoing project of collective sculpture where I collect non-refundable cans from the openings at our artist-run exhibition space Alta Art Space in Malmö. I melt the material into structures with pickles and patterns from our neighbours catering kitchen’s plastic crates. The exhibition visitors each contribute a drop of aluminum to these social sculptures if they have a drink.
from the group exhibition Matches, curated by Asrin Haidari at Moderna Museet, Stockholm, Sweden, 2022
found aluminum, copper from dumped power cables (~20 m) and water piping (~4 m), podium
from the group exhibition Malmö So There at Galleri Thomas Wallner, Simris, Sweden
2021
bird bath conference
found aluminum, copper from dumped power cables and water piping, bicycle rack
from the group exhibition Malmö So There at Galleri Thomas Wallner, Simris, Sweden
2021
Non-human itch
KH7smallspace, Aarhus, Denmark
2021
HOT SAP with Julia Selin at Rörsjögatan 10, Malmö, Sweden 2021
Icke-mÀnsklig klÄda at Sjöbo konsthall, Sjöbo, Sweden
2021
Icke-mÀnsklig klÄda at Sjöbo konsthall, Sjöbo, Sweden
2021
plastic and bricks recovered from the industrial harbor of Malmö. The bricks originate from buildings demolished in this old central neighborhood during 1950’s â 60âs.
A site-specific sculpture for the exhibition Reyhani, Sumari, Wallin organized by plattform KcSyd at KonstfrÀmjandet SkÄne, Malmö, Sweden 2020
The sisters Cementa & Toyota are skeptically reviewing their surroundings while resting on brick pedestals. These bricks were once buildings of the old central Malmö but got demolished in the 1960âs and became landfill material for the industrial harbor of the city. Now the bricks return to their original neighborhood, carrying with them a new history about a site theyâve constructed for the past 60 years.
aluminum sculptures from non-refundable cans 2021
Thank you all for coming to the exhibition openings at our artist-run gallery Alta Art Space and contributing one drop of aluminum to these social sculptures. Iâve been collecting the no refund drink cans and melting the material into these structures with sour cucumbers.
from the exhibition Death to the Curator at Kunsthall Oslo, Oslo, Norway. 2021
Happy Slag Platters video from the exhibition Death to the Curator at Kunsthall Oslo, Oslo, Norway. 2021
the ones who got away ate their way out
polypropylene plastic from vegetable crates for transporting strawberry, parsley, grapes, avocado and champignon mushrooms
from the group show Polyfoni 5 at Galleri Thomas Wallner,
Simris, Sweden 2020
the ones who got away ate their way out
polypropylene plastic from vegetable crates for transporting strawberry, parsley, grapes, avocado and champignon mushrooms
from the group show ATOMIC, organized by Schimmel Projects, in Brixen Bressanone, SĂŒdtirol, Italy 2020
platter guide â the ones who got away ate their way out
from the group exhibition Close Call at Kunstscenen, Copenhagen, Denmark 2019
the ones who got away ate their way out (24 gender mom)
from the group show Spooky action at a distance
at Galleri NOS, Stockholm, Sweden 2019
plastic from vegetable crates, found Bendt Winge âR-48â chair
2020
the ones who got away ate their way out
from the group show Spooky action at a distance
at Galleri NOS, Stockholm, Sweden 2019
brass polished concrete and polyester, 2017
from the group show ‘Northern Lights’ curated by Something Must Break at Alta Art Space, Malmö Sweden, 2019
platter guide escaping the grid
at Sinkhole Project, Baltimore, Maryland, USA
2019
consumerâs pride and Aspergillus tubingensis
polypropylene plastic from grape and champignon mushroom baskets, canisters for soy-bean oil, microwave-oven motor, sand
from the group exhibition FIVE FORMS of PLAY: MIMICRY
at Celsius Projects, Malmö, Sweden
2019
polypropylene plastic from grape, avocado and champignon mushroom baskets
from the group exhibition mold dust life energy with Lisa Trogen Devgun & Paula Buƥkevica at IKOLONI, Malmö, Sweden 2019
consumerâs pride
canisters for soy-bean oil
from the group exhibition mold dust life energy with Lisa Trogen Devgun & Paula Buƥkevica at IKOLONI, Malmö, Sweden 2019
non-human itch I
valid & invalid coins of various currencies,
polypropylene plastic from strawberry and champignon mushroom baskets
from group exhibition evolution and comfort at Ta·da Space, Copenhagen, Denmark, 2018
platter guide pattern recognizer
polypropylene plastic from vegetable crates for strawberry, parsley, grapes, avocado and champignon mushrooms, 2019
Residuals / Age of Shiny
polypropylene plastic from colza oil canisters and champignon mushroom basket
from the group exhibition BOXPLAY at 8. Salon, Hamburg, Germany, 2018
corrupted full of life
exhibition view at Schimmel Projects â Art Centre Dresden, Dresden, Germany, 2018
corrupted full of life
lightbox, rosehips.
from the exhibition corrupted full of life at Schimmel Projects â Art Centre Dresden, Dresden, Germany, 2018
exhibition view, Cementa & Toyota at ACUD gallery, Berlin, 2017
Exhibition Cementa & Toyota at ACUD gallery, Berlin, 2017.
Discussing the rotating sculptures Millstones: Wanna Know the Fibonacci Secret? with Johannes Braun of ACUD gallery.
Residuals / Age of Shiny
HDPE & polypropylene plastic, rose (Rosa dumalis), algae (Ulva lactuta), water, sawdust.
from the exhibition Cementa & Toyota at ACUD gallery, Berlin, 2017
Cementa & Toyota – A Fable of Two Sisters
HD video with sound, 08:51 minutes, 2016
Cementa & Toyota â A Fable of Two Sisters
video installation with the sculpture Drifter, (concrete and car bumpers)
from the duo-exhibition Paragoge at SkÄnes konstförening, Malmö, Sweden, 2017
Residuals / Age of Shiny
exhibition view from the duo-exhibition Paragoge, with Petter Dahlström Persson at
SkÄnes konstförening, Malmö, Sweden, 2017
Biofoul
HDPE & PP plastics and apples from the industrial harbor Mellersta hamnen in Malmö, Sweden.
Apples served for exhibition visitors at SkÄnes konstförening, Malmö, Sweden, 2017
Millstones: Wanna Know the Fibonacci Secret?
polypropylene plastic, concrete, marble, microwave motor and a bicycle crank axle.
The title âWanna Know the Fibonacci Secret?â is quoted from a spam email subject line.
2017
Millstones: Wanna Know the Fibonacci Secret?
HDPE plastic, concrete, stone, microwave motor and a bicycle crank axle.
The title âWanna Know the Fibonacci Secret?â is quoted from a spam email subject line.
2017
Residuals / Age of Shiny
brass polished concrete and polyester, 2017
Residuals / Age of Shiny
concrete and two marble stones from the fountain of Piazza Cavour, Como, Italy.
Sculpture in the group exhibition Aperto at Fondazione Antonio Ratti, Como, Italy.
2016
Residuals / Age of Shiny
concrete, marble stones from the fountains of Piazza Cavour, Como, Italy.
permanent installation in the sculpture park of Fondazione Antonio Ratti, Como, Italy, 2016
Tick Tick Tick SprÀng
Video screening during the group exhibition LOOP â A video art marathon at Galleri CC, Malmö, Sweden, 2016
photo: Raffaele Piano
Tick Tick Tick SprÀng
Video installation and tea party during the Berlin Food Art Week at ACUD Gallery, Berlin, Germany, 2015
Tick Tick Tick SprÀng
Video installation at The Spring Exhibition, Kunsthal Charlottenborg, Copenhagen, Denmark, 2015
Heart of Gold
Video installation at Trumpeten c/o Mellanrum, Södra Förstadsgatan, Malmö, Sweden, 2015
The Illness
tea pavilion installation & tea-parties at Survival Kit -festival, VÀnortsparken, UmeÄ, Sweden, 2014
260 x 400 x 220 cm
Tick Tick Tick SprÀng
HD video with sound, 09:08 minutes, 2014 and video installations with Chaga tea, 2014 â 2015
The Seasonal Painter and Lawyerâs Wigs In The Mist
Series of paintings made with the shaggy ink cap mushroom (coprinus comatus) on found canvas.
Painted annually , one painting every autumn.
Exhibited in the group show Radical Mycology, September 13, 2014,
at the autonomous cultural center UmeÄ Kulturhus, UmeÄ, Sweden
The Trashist Flag
No nations, no borders â we are all one: the one species making garbage
found fabric & rope, approx. 170 x 280 cm, 2010
Here seen on the roof of the autonomous cultural center UmeÄ Kulturhus, UmeÄ, Sweden, during its opening festival. 2014
A Disposed Project of Participatory Art & Worlds Strongest Structure (Space Frame Divan in A Faraday Tent)
bicycles, wood and heat foil, all found materials, 250 x 250 x 250 cm
2014
exhibited in the group show Cultural Capital at ZK/U â Center for Art and Urbanistics, Berlin, Germany, 2014
Secret Agent
event:
Secret Agent: What Does a Container Mean and What Can it Do for You? Walk & Talk
part of the group exhibition Cultural Capital at Bildmuseet, UmeÄ, Sweden, 2014
Secret Agent
sculpture:
wood, metal and acrylic, all salvaged materials
180 x 360 x 184 cm, 2014
part of the group exhibition Cultural Capital at Bildmuseet, UmeÄ, Sweden
(The Logic of) Instruments For Cycles Through A Hunter-Gatherer-Gardener
solo exhibition, exhibition view
Galleriet, KonstnÀrligt Campus, UmeÄ, Sweden, 2013
Animate Technique
wood, spray paint, electric wires, 5 x 50 x 10 cm
from the solo exhibition (The Logic of) Instruments For Cycles Through A Hunter-Gatherer-Gardener
Galleriet, KonstnÀrligt Campus, UmeÄ, Sweden, 2013